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Saturday, 30 January 2010

True Grit - Coen Bros Style?!?

Don't tell my father, who would be absolutely appalled if he found out... the iconic John Wayne movie True Grit, in which he starred as Rooster Cogburn, is being remade!

With the Coen brothers at the helm, Jeff Bridges taking up John Wayne's role, Matt Damon and Josh Brolin the only other cast members who seem to be confirmed to date, Steven Spielburg one of the producers, and touted for first showing in the big rush of December 2010 film releases, this is sure to cause a lot of interest and controversy.

I'm not really into Westerns and don't really know whether I'll be watching this one when it comes out... but if you're interested, check out the movie's IMDB page for further developments.


CaptainD - Movie Reviews Blog

Friday, 29 January 2010

When In Rome Trailer




CaptainD - Movie Reviews Blog

Thursday, 28 January 2010

Sherlock Holmes: Terror by Night (1946)

Set almost entirely on a train, this features a huge diamond entrusted to the famous detective, which is then promptly stolen. Holmes suspects a colleague of the departed (unless he turns out to be not dead yet again?!) Professor Moriarty, but at least two individuals on the train could be this person... A young woman who clearly has a secret, an old accomplice of Dr Watson's suddenly turning up, a mother who's not grieving the death of her son as much as could be expected... Along with all this Watson repeatedly makes a fool of himself and Lestrade is along for the ride and to make even more of a fool of himself...

I wasn't too sure what to make of this movie... there were many good things about it, but also a lot that just didn't quite ring true. Basil Rathbone's ruthlessly logical Holmes and Nigel Bruce's hopelessly bumbling Watson are near the end of their partnership here and it's easy to see why they were so popular; not their worst film together, but not the best.



See also: Sherlock Holmes - The Definitive Collection review



CaptainD - Movie Reviews Blog

Monday, 25 January 2010

Sherlock Holmes and the Woman in Green (1945)

A series of brutal murders of young women - seemingly completely unconnected apart from each one having a finger surgically removed after death - can mean only one thing - Professor Moriarty. Yes, he's back from the dead and this time played by Henry Daniell. Moriarty is aided by the lovely Lydia, who has even more to her wiles than meets the eye...

This is another good installment, partly aided by the fact that instead of a foolish Lestade we have Inspector Gregson (Matthew Boulton), who though he doesn't seem to have much detecting ability at least seems to be relatively sensible. The same can't be said of Dr Watson, but that's okay because he's funnier than ever in this movie. The main plot is intriguing and, on the whole, fairly unpredictable. Roy William Neill's direction, which was of rather variable quality over the many Sherlock Holmes films he directed, is nicely balanced here. Sherlock Holmes and the Woman in Green is definitely recommended viewing for all fans of the Baker Street detective.



See also: Sherlock Holmes - The Definitive Collection review



CaptainD - Movie Reviews Blog

Saturday, 23 January 2010

Sherlock Holmes in Pursuit to Algiers (1945)

After an entertainingly bizarre and intriguing opening sequence in which we learn that Watson finds the thought of eating fish and chips most distasteful, Holmes is recruited to make sure that a young heir to a throne is returned safely to his country - which may be no easy feat considering there is a powerful group extremely opposed to this very thing. Mostly set on board a sea liner, Sherlock Holmes in Pursuit to Algiers has a plethora of interesting and suspicious characters, and some menacing (and sometimes intelligent) foes, and some funny scenes thanks to Nigel Bruce's Dr Watson. The ending is very well done too.

All in all this is a strong episode from the Sherlock Holmes Definitive Collection - it perhaps relies overmuch on humour but since the sleuthing and double-bluffing are cleverly played, this actually works really well.




CaptainD - Movie Reviews Blog

Sherlock Holmes and the House of Fear (1945)

Sherlock Holmes and the House of Fear is another of the good Holmes movies from the forties; it has a strong plot with plenty of twists and turns, with the final solution being both ingenious and most unexpected. The story revolves around a castle where a club - made up entirely of wealthy, unattached gentleman - meet regularly. The Baker Street detective is brought in when two of the members die under mysterious circumstances - not the least of which being their receipt of a letter containing orange pips the night before they die.

Watson and Lestrade are at it again, constantly jumping to conclusions, insulting each other and in Watson's case falling asleep at the most inappropriate times. Suspicion jumps from one person to another rapidly and the ending is quite brilliant - doubly so as the ridiculous speeches have been dispensed with. All in all, a jolly good showing from Basil Rathbone and Nigel Bruce.



See also: Sherlock Holmes - The Definitive Collection review

CaptainD - Movie Reviews Blog

Sherlock Holmes and the Scarlet Claw (1944)

Off to Canda we go, French Canada I think though the accents are English or Scottish, with one character who sometimes sounds almost like she's vaguely trying to put on a French accent. Yes, in terms of accents appropriate to location, it really is that bad. Unfortunately, it's pretty awful in most other ways as well.

The town of La Mort Rouge (unless my language skills have really deserted me, I would understand that as meaning "The Red Death") has a history of suspicious deaths with purportedly supernatural causes. Holmes, of course, doesn't believe in such things, but can he prove the real cause of a recent death, the wife of the main proponent of the local occult society?

Well, of course he can. It's not really all that interesting how he does it, much of the acting is rather bad, the dialogue is often atrocious, and there's really very little to commend The Scarlet Claw, apart from perhaps a somewhat novel use for the common garden trowel.

Of the films in the Sherlock Holmes Definitive Collection that I've seen so far, this is undoubtedly one of the worst. Only The Voice of Terror might possibly have been worse.




CaptainD - Movie Reviews Blog

Sherlock Holmes and the Pearl of Death (1944)

Sherlock Holmes is on the case again; having recovered an extremely valuable pearl from a criminal mastermind, when he demonstrates the failings of the security system at the museum where it is to be housed, he unwittingly makes it possible for the same mastermind to steal it again. Professional pride and reputation at stake, Holmes set forth to recover the pearl once more.

The pearl in question has a bit of a reputation for people seeking it turning up dead; with a worthy adversary in the form of Giles Conover (Miles Mander) and his beautiful and dangerous accomplice Naomi Drake (Evelyn Ankers), along with a back-breaking henchman known only as "The Creeper" (Rondo Hatton), the cat and mouse detective work is interesting and rarely predictable. Watson has a good performance here, if only because his bumbling and mumbling are funnier than usual, and being a Ron William Neill movie, there's a rather baffling and awful speech at the end - how Basil Rathbone must have hated those! Not to worry though, after the next film which has an even worse concluding speech, they seem to have been ditched in favour of less nauseous endings. Probably has something to do with the end of the war, I guess - "uplifting" speeches were the order of the day when WWII was still going on.




CaptainD - Movie Reviews Blog

Wednesday, 20 January 2010

The Way to the Stars (1945)

This well-judged war film isn't really a war film at all - you hardly see any actual warfare. Rather, it's a film about how a group of people in the middle of the conflict cope with the events unfolding around them, and especially at how the uncertainty of wartime affects peoples' relationships.

It's all very British old chap, at least until all those dashed Yanks appear. An uneasy distrust soon turns into a genuine camaraderie when both sides prove their worth to each other, despite the British being ever so refined and the Americans being mostly very brash. Despite the stereotypes, it's all done with sensitivity and works very well, despite a very patches where it moves just a bit too slowly.

Sub-plots include a marriage that ends all too soon due to the husband's death, a younger officer trying to decide between his love for a local girl and his decision that it's not fair to get married due to the risk of the same happening to him, a romance that never can be but which continually threatens to blossom...

John Mills and Douglas Montgomery take centre stage at different parts in the film, while Rosamund John plays a pivotal part throughout. Despite the occasional lapses in pace, director Anthony Asquith has created a film that captures the attitudes of the time and gives us plenty of characters we can care about; if like me you're not a fan of war films, this is one of the few that you'll probably be glad you saw.




CaptainD - Movie Reviews Blog

The World Is Not Enough (1999)

It was a weird feeling when I saw this on the TV recently, realising that it was a whole decade ago that I'd gone to see it in the cinema. I have a feeling I went because a friend wanted to see it - on the whole I pretty much lost interest in the James Bond franchise when I was about 12. Still, Pierce Brosnan does make a good bond, and while the plot and stunts here are the usual hokum, it's done with aplomb and has some funny dialogue if you listen hard enough. Sophie Marceau and Denise Richards make a decent villainess / Bomb Girl combination (the latter having the name "Christmas Jones" and being, as you would expect of a nuclear physicist, young, female, attractive and prone to wearing very little). I don't really get Judi Dench as M (much as I like her) and not really sure about John Cleese as the new Q (called R-of course...), but Desmond Llewelyn (original Q)'s exit strategy is good. Robert Carlyle is a pretty good villain, and the reason for his apparent invincibility is quite interesting.

It's cheesy, rather predictable and full of the sort of thing that Bond fans love. If you're not a particular fan... you're unlikely to find this more than a mildly diverting action flick. Worth watching again after a decade, I guess!



CaptainD - Movie Reviews Blog

Saturday, 16 January 2010

Sherlock Holmes and the Spider Woman (1944)

Roy William Niell directs again in this enjoyable though flawed movie. In this one Adrea Spedding (Gale Sondergard) is Holmes' foe, and a formidable one at that. After facing death in the previous film, Holmes apparently dies right at the start of this one. Of course we all know it must be a ruse, and to throw the mastermind behind a series of apparent suicides off their tracks. Though a master of disguise, Sherlock Holmes proves himself to be a definite rookie when it comes to accents as he impersonates a celebrated Indian soldier, but that disguise is quickly thrust off.

The strength of the main mystery is what keeps this film going, along with a few moments of light relief thanks to the ever-bumbling Watson and Lestrade (Mrs Hudson the housekeeper is quite fun in this one too), so the weaknesses of the film including an end-scene escape from Holmes that really pushes believability don't ruin it. This particular director seems intent on giving Basil Rathbone the most preposterous speeches at the end of his films - perhaps a test of Rathbone's acting ability?! - but all in all this one's very watchable.



See also: Sherlock Holmes - The Definitive Collection review

CaptainD - Movie Reviews Blog

Thursday, 14 January 2010

Sherlock Holmes Faces Death (1943)

Another Sherlock Holmes film from set directed by Ron William Neill, this one certainly has its weaknesses (Dennis Hoey's Lestrade is particularly awful), but the plot is genuinely intriguing. Even with a few rather obvious red herrings, it will keep you guessing until the end.

The plot involves an ancient family ritual at Musgrave Manor, where Watson has been acting as Chief Medical Officer when the home is used as a centre for convalescence. When a near-murder happens, followed by an actual murder, Watson calls on his old friend Sherlock Holmes. Watson's reasoning is that all the chaps there are good fellows and couldn't possibly be guilty of anything, but they are a bit... strange, due to their wartime experiences. Lestrade of course jumps right in with accusations and upsets everyone, which is what Scotland Yard do.

There's are a host of interesting and surreal characters, and a few funny moments, but it's the weird and wonderful plot that keeps the viewer's interest. Despite some obvious flaws, this is one of the most enjoyable films so far in The Sherlock Holmes Definitive Collection.



See also: Sherlock Holmes - The Definitive Collection review

CaptainD - Movie Reviews Blog

Tuesday, 12 January 2010

Sherlock Holmes in Washington (1943)

Ah well... not entirely sure if this one's set in wartime or not, but the plot is about a secret document stolen by "the other side" and there are hundreds of military personnel in the movie. It's not exactly a strong Sherlock Holmes movie, but it is kind of fun.

The reason for that is, with an admittedly weak plot and a directorial style that sometimes seems to border on travelogue when Holmes and Watson first arrive in Washington (after a fairly long opening sequence that doesn't involve the dynamic duo at all), there is quite a lot of humour here - from Watson's obsession with sport and American culture to some dialogue that stands out as quite inspired compared to some often quite banal scripting here. The Americans rarely have accents that sound even remotely American here, but somehow that just adds to the awful (but compelling) cheesiness of the whole thing.

George Zucco returns as a villain (he played Professor Moriarty in The Adventures of Sherlock Holmes), but his villainous character here is rather bland and uninteresting. Roy William Neill directs this but doesn't do as well as with Sherlock Holmes and the Secret Weapon (released in the same year) - and the closing speech by Holmes is even more dreadful here.

Combining Sherlock Holmes with the war effort was always going to be dubious in terms of the quality of film it produced, and this isn't a particularly good one - however because of the wry humour in evidence at times it's pleasantly amusing on the whole, if rather absurd.


Holmes: What form was this document in?
Mr. Ahrens: It was typed - on two sheets of legal paper.
Watson: Two sheets! That’s too bulky to swallow!
Holmes: And dry, Watson, fearfully dry - especially legal papers!



See also: Sherlock Holmes - The Definitive Collection review


CaptainD - Movie Reviews Blog

Sherlock Holmes and the Secret Weapon (1943)

Another wartime Sherlock Holmes movie but a good deal better than the previous year's The Voice of Terror, this movie starts out with the esteemed detective extracting a Swiss scientist from under the noses of the Nazis. This scientist, Dr Franz Tobel (William Post Jr.) has invented a new, ultra-accurate bomb sight that will revolutionise the bombing missions of the Brits - or the Germans if they get their hands on it first.

The story is twofold - Holmes' battle of wits with Professor Moriarty (here played by Lionel Atwill) who's working for the Germans, and Dr Tobel's efforts to keep things very much under his own control. Apart from another painfully patriotic closing speech by Holmes and an even more bungling than usual Watson, this is a good installment (fifth in viewing order on Sherlock Holmes: The Definitive Collection). Without Moriarty it would have been a bit flat, but his inclusion and the competition between him and Holmes which is more professional rivalry than anything else, along with the introduction of Dr Tobel who is intellectually on their level, makes for an interesting plot. The final sequence is an entertaining mixture of cat and mouse, deception and double bluffs.

I have to admit though, I'm hoping that this is the last of the wartime movies - somehow they just don't seem in quite the right spirit for films featuring the master of criminal detection.


Best line from Moriarty: "Brilliant man, Sherlock Holmes, too bad he was honest."


Painfully patriotic closing lines -

Watson: "Things are looking up, Holmes. This little Island's still on the map."
Holmes: "Yes. 'This fortress - built by nature for herself; This blessed plot, this Earth, this realm, this England.'"

Oh well... at least it's Shakespeare...



See also: Sherlock Holmes - The Definitive Collection review

CaptainD - Movie Reviews Blog

It's Complicated Trailer

Not sure about this one... Nancy Meyers has written and directed some good stuff in the past, so I'll probably give it a look sometime. I don't think it's a "must see at the cinema" movie though.




CaptainD - Movie Reviews Blog

Monday, 11 January 2010

Movie Review - The Maltese Falcon (1941)

I don't know if the term film noir had been invented before The Maltese Falcon was released in 1941, but if it hadn't, it would have been necessary to create it just for this film. (If you don't know what film noir means, watch this film to find out!)

We decided last night to look at a classic, and selected this one. Humphrey Bogart is one of my all-time favourite actors and his portrayal of unemotional but honourable Private Detective Sam Spade is perfect. When a damsel in distress (Mary Astor) comes in with a case for Spade and his detective partner Miles Archer (Jerome Cowan), it seems like a routine case of a woman with a secret, but when Archer is murdered and a set of criminal characters (well, three to be exact – Joe Cario [Peter Lorre], Wilmer Cook [Elisha Cook Jr.], and “The Fat Man” [Sydney Greenstreet]) turn up and show an interest in Spade and his newly acquired female companion, and in particular in something she’s not telling him, things start to hot up. Not only that but Archer's wife has fallen for Spade and the police suspect him of one (or possibly more) of the killings that have recently taken place… it seems that the only person Spade can really trust is his long-suffering secretary, Effie (Lee Patrick). Right up till the very end it's difficult to know who’s on whose side.

I know it’s too easy to give an acknowledged classic like The Maltese Falcon a top rating without really thinking about it, but this really does deserve not only it’s 5 stars (also given by all but one of the previous reviews here on Epinions) but also it’s 49th place in the all-time top 250 movies list over at the International Movie DataBase (imdb.com). The plot builds up slowly, reaches boiling point, then calms down for a while before delivering a brilliant sucker-punch. The atmosphere is totally compelling and, while admittedly some aspects of the acting seem a little cheesy by today's standards and the dialogue-heavy scenes may seem hard work for modern viewers used to lots of action and little talking, this is a film that really hasn't suffered with the passage of time. It’s still brilliant entertainment (and the twist at the end is wonderful) and the class of the cast really shines through. I'm already a fan of Bogart but I was most impressed by Greenstreet's fascinating performance as Kasper Gutman, AKA “The Fat Man”. Peter Lorre gives an intriguing performance as a criminal who seems to have ambitions way above his station. Mary Astor also does well in her role.

The film signalled John Huston’s directorial debut and he does a fine job. Despite his distinguished career (including films such as Key Largo and The African Queen, where he worked again with Bogart, Moby Dick with Gregory Peck, the epic The Bible, and one of his last films, in 1982, the musical Annie) and working with other stars such as Ava Gardner, Burt Lancaster, and John Wayne, Peter Sellers, David Niven, and Orson Welles, he must have looked back on his first of 46 films with great satisfaction. Huston also adapted the novel by Dashiell Hammett for the silver screen. The only thing I might have changed is the very opening, which detracts from the impact of a later explanatory scene, but it's only a very minor grumble.

Overall this is a film that no serious movie fan will want to miss – though of course, if you're a serious movie fan, you’ll already have seen it! I'm reviewing it now since it was a long time since I saw it last, so watching it last night really reminded me of what a great film it is. (Also I've reviewed far too few black and white films so far!!) Definitely one not to be missed!

I do mention this film in my Top Ten Movies of All Time, albeit only briefly. There's another Bogart film in my top ten… perhaps not the most famous or critically acclaimed, but still my favourite. I recently posted my review of We're No Angels, which is my favourite Humphrey Bogart comedy.

This most famous version of The Maltese Falcon is certainly definitive, though the 1931 film wasn't bad. It is extremely faithful to the original plot and dialogue of Dashiell Hammett's novel, and all the better for it.


CaptainD - Movie Reviews Blog

Sunday, 10 January 2010

This looks so awful it must be seen...

I stumbled across the trailer for this recently, and it looks so unbelievably bad that I just have to see it - it's of the "so bad it's good" - or at least "so bad it's hugely entertaining and probably hilarious) variety. It even has The Hoff in it!

Yes, I'm talking about Starcrash - an unashamed Star Wars rip off with elements of Barbarella and Blake's Seven (costumes and ships).





CaptainD - Movie Reviews Blog

Saturday, 9 January 2010

Movie Review - We're No Angels (1955)

Watched this again today and realised that I never put the review on this blog - so here it is!

We're No Angels is a classic comedy released in 1955 starring Humphrey Bogart, Peter Ustinov and Aldo Ray. Though I'd only ever seen it once before it had always stuck in my mind to the extent that I mentioned it in my Best Comedies write up - having watched it again, I can honestly say that it's a comedy that it has aged extremely well.

The motley trio of actors mentioned above are escaped convicts from Devil's Island - two murderers and a con artist - but of course as the movie goes on we see their softer side. Joseph (Bogart) is a smooth-talking trickster who seems from what he says to be the murderous animal of the three; Albert (Aldo Ray) can't keep his mind, or hands, off women; Jules (Peter Ustinov) is a safe-opener extraordinaire who unfortunately had a rather major disagreement with his wife that results in him being imprisoned. The three land up in a nearby colonial town seeking passage out, and aim to rob a local clothes shop to aid them doing so. However after seeing the plight of the shop owner Felix Ducotel (played by the incomparable Leo G. Carroll), his wife Amelie (Joan Bennet) and daughter Isabelle (Glora Talbott), the hearts of the three gangsters start to melt and they end up staying around to help them instead (always insisting, of course, that it's only part of the plan to escape the island!). As Joseph says: "We came here to rob them and that's what we're gonna do - beat their heads in, gouge their eyes out, slash their throats. Soon as we wash the dishes." As time goes on they meet two real criminals - evil very rich cousin Andre Touchard (whose attitude can be summed up in the phrase, "Your opinion of me has no cash value." - and his nephew Paul (John Baer). It's cousin Andre's money that has kept the clothes shop run by Felix afloat so far, but he's coming to audit the books, and things for the Ducotel family look very grim indeed... To make matters worse, Isabelle is in love with Paul, but he's now engaged to another woman - whose father is in Shipping, making her an ideal business deal...

Joseph, Albert and Jules do what they can to help the family out and sort out the evil relatives - and, as they have such an immense understanding of the darker side of human nature (and the lighter side too, as it turns out), they are doing great. But... there's still that boat to catch, and Albert has a pet snake called Adolf who just happens to be poisonous...

All of the cast are simply wonderful in this movie. I'm a big fan of Humphrey Bogart anyway and I wish he'd done more comedies like this, though of course he will always be one of the definitive tough detectives. His performance here is extremely dry but there's a twinkle in his eye telling you that he's enjoying himself immensely. It was a bit odd for me seeing such a young Peter Ustinov in a movie - I've tended to see him when he was much older - but his performance is the perfect foil to touch guy Albert and touch-talking Joseph. Aldo Ray was enigmatic as the lady's man who is very much a rough diamond while still having a heart of gold. All three showed superb comic timing and the script is very witty throughout with some great dialogue. The other performances were great too - Bennet was believably wary and Talbott sweetly and infuriatingly naive, Carroll was funny as the bumbling merchant, Baer was smarmy as the young man whose priorities were all wrong. Basil Rathbone was very, very evil - his Sir Guy of Gisbourne character in The Adventures of Robin Hood was a possible teddy bear in comparison!

There are no snazzy special effects, no sex. nudity, violence (well, not much!), and no bad language. It's possible that today's youth would find it very boring - so what if I'm being an old git, I enjoy it! (And I'm only 30 so getting my diploma in Old Gittness was a real acheivement!) If you're after a very enjoyable comedy with a cast full of class performers, a clever script, and an unexpected ending (if it's the first time you're watching it or if you have an extremely bad memory, anyway), then We're No Angels fits the bill perfectly. One of my all-time favourite comedies, and always will be.

Another favourite quote from the movie: "If crime showed on a man's face, there wouldn't be any mirrors. "

Directed by Michael Curtiz
Runtime: 106 minutes
Released by: Paramount Pictures

Related Links

One of Humphrey Bogart's defining performances was as Sam Spade in The Maltese Falcon

Peter Ustinov was also in Around the World in Eighty Days - the BBC mini-series version starring Pierce Brosnan as Phileas Fogg.

See also: My Top Ten (and more) Comedies


CaptainD - Movie Reviews Blog

The Adventures of Sherlock Holmes (1939)

The second chronologically but for some reason third in viewing order of Sherlock Holmes: The Definitive Collection, The Adventures of Sherlock Holmes is a very enjoyable romp with Sherlock going head to head with arch-rival Professor Moriarty (played by George Zucco). The movie starts with Moriarty being acquitted of a crime, despite the misgivings of the judge, jury and indeed everyone else; Sherlock Holmes runs into court with new evidence that would destroy Moriarty's alibi, but the judgement has already been given and Moriarty cannot be tried on the same charges again.

Frustrated, Holmes shares a cab with Moriarty back to Baker Street, in which the two compare opinions on each other, in which Rathbone utters these classic lines:

"You've a magnificent brain, Moriarty. I admire it. I'd like to present it pickled in alcohol to the London Medical Society."

In reply, Zucco's Moriarty sets the scene for this film:

"Holmes, you only now barely missed sending me to the gallows. You're the only man in England clever enough to defeat me. I'm going to break you. I'm going to bring off right under your nose the most incredible crime of the century, and you'll never suspect it until it's too late. It'll be the end of you Sherlock Holmes. Then I can retire in peace. I'd like to retire; crime no longer amuses me. I'd like to devote my remaining years to abstract science. "

Moriarty sets out to concoct this fabulous crime under Holmes' nose, and to do so he constructs a sequence of events which utilises the most dangerous knowledge he possesses - an understanding of how Sherlock Holmes' brain works.

Once again I found the doddering nature of Watson to be rather annoying, but that aside it's a cracking addition to the archives of Sherlock Holmes movies; fun, engaging, and keeps you guessing until the end. I'll forgive the slightly melodramatic exit of Moriarty for the final scene, in which Holmes is continuing his experiment of trying to get flies to react to his strumming on the violin. Watson swats the fly with his newspaper and says:

"Elementary, My Dear Holmes, Elementary"

Next up is another wartime Sherlock Holmes movies, so I'm not really expecting that to be as good... my overall opinion of Sherlock Holmes: The Definitive Collection generally positive, but of course I've only watched three of the twelve films so far. I'm hoping that most will be as good as The Adventures of Sherlock Holmes and The Hound of the Baskervilles - if that's the case, it will be a great collection.


See also: Sherlock Holmes - The Definitive Collection review



CaptainD - Movie Reviews Blog

Sherlock Holmes and the Voice of Terror (1942)

On the first disk of Sherlock Holmes: The Definitive Collection (not sure why it's second though as it was the third to be made) along with The Hound of the Baskervilles, this is set during the war, with the "Voice of Terror" coming on British wirelesses telling the British public about great triumphs of the Nazis as they were happening, or just about to. At their wits end, the the Defence Council call in Baker Street's most famous detective to help.

Basil Rathbone is fine throughout, already familiar with his portrayal of a supremely confident, slightly diffident and conceited Holmes; Nigel Bruce continues to play Watson as a rather bumbling fool with moments of enlightenment (I'm sure it was the scriptwriters' idea not his!). It's an okay plot, never really builds into much and some of the twists were a bit too easy to see coming. The final patriotic speech and indeed the whole patriotic tone of the movie rather spoilt it, though considering the time it was released I guess that was inevitable. The Voice of Terror was not a great day our for Holmes and Watson, I'm afraid - but the next one in the Definitive Collection is significantly better.


See also: Sherlock Holmes - The Definitive Collection review



CaptainD - Movie Reviews Blog

Thursday, 7 January 2010

IMDB's Best / Worst of 2000s

IMDB have released their official Top Fifty Rated Films of the Twenty First Century So Far... as with most (well, all) such lists, you will find some that you agree with, and some that you passionately disagree with.

Personally I can't believe Avatar has made it onto the list (at no.6 no less!), and while I thought Dark Knight was exceptional, is it really worthy of #1 spot? I don't know... also with all three Lord of the Rings films being in the Top Ten here, I find it shocking that The Two Towers is listed bottom of the three - I still feel it's by far the best (and conversely the top rated of those three, listed as the second best film of the 21st century so far, The Return of the King, I still say is the worst of the trilogy!).

Ah well... such is the way with user ratings, I guess. Any thoughts on what you would put as the top ten films of the last ten years?



CaptainD - Movie Reviews Blog

Touch and Go (1955)

This is an Ealing Comedy but to be honest it doesn't have a lot in comedy with the classics associated with that label. It features Jack Hawkins as Jim Fletcher, a furniture designer who becomes so disillusioned with the attitude of the company he works for (at least, one individual within that company - but a very influential individual), and decides to move to Australia for greater opportunities. His wife Helen (Margaret Johnson) and daughter Peggy (June Thorburn) have little choice but to go with him. Of course it takes considerable time to get things organised, and the movie concentrates on the couple of days before the move... during which everything seems to transpire against Jim.

Jim Fletcher has his good points but for most of the movie is a very annoying character, while long-suffering wife Helen rarely gets much chance to voice her own preferences. Peggy gets much more screen time and her rapidly blossoming romance with Richard Kenyon (John Fraser), and the effect this has on the plans to go to Australia, are the real focus of the story - along with Jim's inability to completely let go of his connection to the company he's just left.

The performances are decent enough and there are a few funny scenes, but this certainly never has the magic of the classic Ealing Comedies like The Ladykillers and The Lavender Hill Mob. Don't expect much and you'll enjoy it as a reasonable distraction from the modern age.


CaptainD - Movie Reviews Blog

Tuesday, 5 January 2010

The Hound of the Baskervilles (1939)

The first of the Sherlock Holmes films starring Basil Rathbone, this is very different to the 2009 Sherlock Holmes movie, but definitely a good film in its own right. A tale of an ancient beast and a cursed hereditary in deepest Dartmoor, it has plenty of atmosphere and an ending that you almost definitely won't guess (well, not completely).

There are some nice humorous touches in the film, though I'm never very happy when Watson (played here by Nigel Bruce) is portrayed as a bumbling idiot. He does have one or two moments of elucidation here, but basically he blunders along from one mistake to the next. The dashing young Lord whose life is endangered is here played by Richard Greene, and among the other cast members are Wendy Barrie, Lionel Atwill and Morton Lowry.

A good production, directed by Sidney Lanfield, and an encouraging first film in the series. We've got a box set of 12 films, so expect more Sherlock Holmes movies to be mentioned on this blog soon...



CaptainD - Movie Reviews Blog

Nanny McPhee and the Big Bang Trailer

Wasn't expecting a sequel to this... but the first film was a lot of fun, so you never know, it could actually be good...




CaptainD - Movie Reviews Blog

Movie Review - Avatar (2009)

I suppose any film that's received as much media attention as James Cameron's Avatar was bound to provoke extreme reactions from viewers. Coming out of the cinema yesterday, I heard one young man animatedly declaring that it was "the best film I've ever seen in a cinema". It's instantly shot to '26 on IMDB's Top 250 Films of All Time list. Personally, I had extremely mixed feelings about Avatar - there were some things that I really liked about it, but other things that I thought were really weak. (This may be a long review... I'm writing it sporadically over the course of a few days as I try to work out just how much I liked it!)

The basic storyline is that an alien planet called Pandora is being explored by humans for the purpose of extracting the ironically named "Unobtanium", an extremely valuable resource that's abundant in places on the planet's surface. Like much of the script, the naming of the planet and this element is far from subtle.

Still the opening premise is quite promising - there's Jake Sully, a marine with useless legs (played by Sam Worthington) who takes the place of his brother, a scientist who died before he could take his place on Pandora. Avatars, who are genetically engineered from a mix of Na/vi (a native Pandoran tribe) and Human DNA, can be linked to human "drivers" so that the consciousness of the human actually resides in the hybrid. The aim of this is to make contact with the Pandorans in a form that is more acceptable to them (and safer, since the Pandorans don't necessarily view their visitors favourably); the result for Jake is that suddenly he is able to control a fully functioning body again for the first time in years.

Leading the Avatar team is Dr Grace Augustine (Sigourney Weaver), a hard-as-nails woman but with, of course, a heart of gold. Actually I came to quite like her character because she did have a human side and a wry sense of humour. She is however none too pleased to be given a disabled commando to work with instead of his scientist brother. Also on the team is nerdy Norm Spellman (Joel Moore), who has researched the Na'vi and the planet Pandora in great detail. They aim to learn more about the Na'vi - in fact Grace had previously set up a school so most of the natives can now (rather conveniently) speak English, but this project had ot be abandoned as the Na'vi became more and more suspicious of the humans.

Then of course we have the stereotypical evil military man, Colonel Miles Quaratich (Stephen Lang) and corporate management type Parker Selfridge (Giovanni Ribisi). They want to get the Unobtanium at any price, including the complete annihilation of the Na'vi and everything they hold sacred if necessary. They are willing to try to negotiate at first, but when it becomes clear that the Na'vi don't want to budge, warfare is certainly on the agenda. Naturally as time goes on, Jake begins to love not only the indigenous people but their beautiful princess, Neytiri (Zoe Saldana) - and there's a rather unnecessary love triangle to make things that bit more difficult.

The visual effects for Avatar were touted as being "revolutionary", but while they are undoubtedly very good, I don't really see what all the fuss is about. There's certainly very little that struck me as being new in style or substance. I also struggled to see what was meant to be so good about the 3D - there were a few cool effects, but really nothing extraordinary. (Apparently there are four different versions of the 3D - we saw it in "Real 3D", I suspect that the IMAX 3D may be more impressive, but that's just a guess.) For any other film I'd probably be saying that the effects were really impressive, but they've been hyped to such an extent that it seemed a let down.

However the biggest problem with Avatar was the storyline. Sure there was lots of action and loads of plot elements that, bar a couple of things which didn't quite seem to fit the internal logic of the film, all made sense. It's all so cliché however - we've seen all these things so many times before, and take away the fact that it's on an alien planet and make the Na'vi look a little more human and you have Native Americans - there's almost no attempt to make it more than a really obvious comparison. That's not a bad thing in itself, of course, but surely the screenwriters could have done more with this idea? I didn't even begin to feel involved with what was going on until well into the film, probably about halfway when Jake is gaining a conscience and we're getting to know the Na'vi a little. I found the first third of the film was quite interesting but pretty uninvolving; the second third I really enjoyed, but then the final third just didn't; grab me. There was the huge battle sequence we'd been expecting, the grudge battle between Jake and Colonel Quaratich that we'd been expecting, the "twist" at the end that we'd been expecting... Most of the characters are very stereotyped and uninteresting, and this unfortunately this was reflected in the plot development.

James Horner provides a great music score to accompany the action, and it's probably action junkies who will be most impressed by this film. In terms of visual spectacle, even with so-so 3D (though my wife was very impressed by the 3D, so maybe it was just me), it was very impressive. There's plenty of action, a bit of humour here and there helps (though to me it takes itself rather too seriously considering the ever-increasing cliché count), and the alien planet and its vegetation / animal life has been created in loving detail. If the same care had been taken with the plot and character development, this could have been a contender for film of the century.

Avatar is, to me, largely a victim of its own hype - and perhaps the hype created around it by fans who keep using expressions like "this has revolutionised the film industry" or "has forever changed the way films will be made". Both statements are rather absurd, though perhaps some of the visual effect techniques will be used extensively in the future. I suspect that Avatar's most enduring achievement will be its phenomenal commercial success - that's something that can't be disputed by anyone. But a great film? To me, no - an interesting idea let down by bland, cliché-ridden writing. I'd recommend it - not necessarily to pay the extra money for the 3D experience - but only because, for one showing at least, the spectacular visuals and intensity of Sam Worthington's and Zoe Saldana's performance just about override the negative aspects.

It's probably worth noting that the vast majority of people liked this much more than I did - maybe I'm becoming a grumpy old man!


So, if Avatar failed to impress, what does make me happy in terms of sci-fi movies? Read my Top Ten Sci-Fi Movies list.


CaptainD - Movie Reviews Blog

Monday, 4 January 2010

The Maltese Falcon (1931)

There were two adaptations of Dashiel Hammett's famous novel before the definitive 1941 movie, and this was the first. It's really not bad at all (despite the terrible tacked-on ending), and sticks to the book pretty closely. I'm afraid what follows is more a comparison between the two versions than anything else, but the similarities and differences intrigue me.

The direction (Roy Del Ruth) is not up to John Huston's, and while I quite liked Ricardo Cortez's portrayal of Sam Spade, though he's a bit too flippant for my liking - from reading the book he always seemed more tough than smooth to me. Humphrey Bogart's portrayal was absolutely perfect, and of course old Humph just has so much on-screen presence that he'd be an impossible act to follow (er... pr precede). Bebe Daniels was fine as Ruth Wonderly; I liked her performance at least as much as Mary Astor's, possibly more.

However Duddley Digges was far too jovial as Caspar Gutman and Otto Matieson was simply too bland as Joel Cairo - Sidney Greenshtreet had far more charisma while Peter Lorre was genuinely creepy. The 1931 version had Una Merkel as Effie Perrine, Sam Spade's assistant - and with her around, it was difficult to believe he'd bother looking at other women!

The plot and dialogue of both films are close to the book - the dialogue is often word for word - but the silly ending of this 1931 film kind of spoiled the whole thing. Still, well worth watching if you like thirties movies.



CaptainD - Movie Reviews Blog

Saturday, 2 January 2010

The Tooth Fairy!

It's just wrong... poor old Dwayne Johnson! Maybe young - very young - kids will enjoy this one.




CaptainD - Movie Reviews Blog

The Day of the Triffids - 1981 Edition

As I recently blogged about the new BBC adaptation of The Day of the Triffids, it's worth knowing that the BBC have made the entire 1981 series (much superior in most people's view) available to view on YouTube.

For those who are interested, you can get to all six episodes (about 26 minutes each) here.


CaptainD - Movie Reviews Blog

Alice in Wonderland 2010 Trailer

I'm really, really not sure about this one...




CaptainD - Movie Reviews Blog

Battle for Terra Trailer

I quite like the look of this one...getting a late release in the UK, not out until 12th Feb over here.



CaptainD - Movie Reviews Blog

Friday, 1 January 2010

The Day of the Triffids

I recently watched the new BBC adaptation of John Wyndham's classic novel The Day of the Triffids. Starring Dougray Scott (who I like, though almost entirely for his performance in Ever After), Joely Richardson and Eddie Izzard, the first episode of this two-parter impressed me quite a bit - the setting was brought up to date but they stuck to the book relatively closely and it was an effective piece of sci-fi horror. Sadly the second episode completely lost the plot both in terms of the story and acting, and it becomes ever clearer that the triffids in this adaptation bear only a passing relationship to those of the book. Oh well... another opportunity missed. I really must get hold of the BBC's 1981 adaptation, I believe that's much better...


CaptainD - Movie Reviews Blog

So I finally saw Avatar...

... and I have to admit that I've rarely felt so conflicted by my own reaction to a film. I honestly don't know how I'm going to review it - there were many things I liked about it, and many that I didn't - overall I still can't really work out how much I enjoyed it. Will post a review in a day or two, when I've managed to work out whether I liked it or not!!


CaptainD - Movie Reviews Blog

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